Contemporary Russian fiction : a short list / Russian authors interviewed by Kristina Rotkirch by
The living voices of eleven leading Russian authors. Kristina Rotkirch's book presents the reader with an overview of contemporary Russian literature: Boris Akunin, Yuri Mamleev, Yevgeni Grishkovets, Eduard Limonov, Victor Pelevin, Lyudmila Petrushevskaya, Nina Sadur, Vladimir Sorokin, Lyudmila Ulitskaya, Ivan Shishkin, and Tatyana Tolstaya. The contrast in styles, life experiences, and outlooks lends it a width of perspective that few books can offer.
The Cambridge History of Russian Literature by 
The Cambridge Introduction to Russian Literature by
Russian literature arrived late on the European scene. Within several generations, its great novelists had shocked - and then conquered - the world. In this introduction to the rich and vibrant Russian tradition, Caryl Emerson weaves a narrative of recurring themes and fascinations across several centuries. Beginning with traditional Russian narratives (saints' lives, folk tales, epic and rogue narratives), the book moves through literary history chronologically and thematically, juxtaposing literary texts from each major period. Detailed attention is given to canonical writers including Pushkin, Gogol, Dostoevsky, Tolstoy, Chekhov, Bulgakov and Solzhenitsyn, as well as to some current bestsellers from the post-Communist period. Fully accessible to students and readers with no knowledge of Russian, the volume includes a glossary and pronunciation guide of key Russian terms as well as a list of useful secondary works. The book will be of great interest to students of Russian as well as of comparative literature.
On Psychological Prose by
Comparable in importance to Mikhail Bakhtin, Lydia Ginzburg distinguished herself among Soviet literary critics through her investigation of the social and historical elements that relate verbal art to life in a particular culture. Her work speaks directly to those Western critics who may find that deconstructionist and psychoanalytical strategies by themselves are incapable of addressing the full meaning of literature. Here, in her first book to be translated into English, Ginzburg examines the reciprocal relationship between literature and life by exploring the development of the image of personality as both an aesthetic and social phenomenon. Showing that the boundary between traditional literary genres and other kinds of writing is a historically variable one, Ginzburg discusses a wide range of Western texts from the eighteenth century onward--including familiar letters and other historical and social documents, autobiographies such as the Memoires of Saint-Simon, Rousseau's Confessions, and Herzen's My Past and Thoughts, and the novels of Stendhal, Flaubert, Turgenev, and Tolstoi. A major portion of the study is devoted to Tolstoi's contribution to the literary investigation of personality, especially in his epic panorama of Russian life, War and Peace, and in Anna Karenina.
Resurrection from the Underground by
In a fascinating analysis of critical themes in Feodor Dostoevsky's work, Ren#65533; Girard explores the implications of the Russian author's "underground," a site of isolation, alienation, and resentment. Brilliantly translated, this book is a testament to Girard's remarkable engagement with Dostoevsky's work, through which he discusses numerous aspects of the human condition, including desire, which Girard argues is "triangular" or "mimetic"--copied from models or mediators whose objects of desire become our own. Girard's interdisciplinary approach allows him to shed new light on religion, spirituality, and redemption in Dostoevsky's writing, culminating in a revelatory discussion of the author's spiritual understanding and personal integration. Resurrection is an essential and thought-provoking companion to Dostoevsky's Notes from the Underground.
A History of Russian Literature by 
A History of Russian Women's Writing 1820-1992 by
Russian women's writing is now attracting enormous interest both in the West and in Russia itself. This is the first one-volume history of the subject to appear in any language in modern times. Written from a bold feminist perspective, the book combines a broad historical survey with close textual analysis. Sections on women's writing in the periods 1820-1880, 1881-1917, 1917-1954, and 1953-1992 are followed by essays on individual writers. Drawing on a wide range of sources, includingrare literary journals and almanacs, Catriona Kelly's account shows familiar figures such as Akhmatova, Tsevtaeva, and Tolstaya in a radical new context and brings to light a colourful gallery of fascinating but neglected writers including Elena Gan, Nadezhda Teffi, Natalya Baranskaya, and NinaSadur. The text is supported by generous quotations from the Russian, all accompanied by English translations. Complemented by Dr Kelly's Anthology of Russian Women's Writing 1777-1992 (also available from OUP), this is an indispensable source for readers and students of women's writing, and for all those concerned with women's history, the history of feminism, and Russian literature in general.
A History of Russian Thought by
The history of ideas has played a central role in Russia's political and social history. Understanding its intellectual tradition and the way the intelligentsia have shaped the nation is crucial to understanding the Russia of today. This history examines important intellectual and cultural currents (the Enlightenment, nationalism, nihilism, and religious revival) and key themes (conceptions of the West and East, the common people, and attitudes to capitalism and natural science) in Russian intellectual history. Concentrating on the Golden Age of Russian thought in the mid-nineteenth century, the contributors also look back to its eighteenth-century origins in the flowering of culture following the reign of Peter the Great, and forward to the continuing vitality of Russia's classical intellectual tradition in the Soviet and post-Soviet eras. With brief biographical details of over fifty key thinkers and an extensive bibliography, this book provides a fresh, comprehensive overview of Russian intellectual history.
Russian Literature and Empire : Conquest of the Caucasus from Pushkin to Tolstoy by
This is the first book to provide a synthesising study of Russian writing about the Caucasus during the nineteenth-century age of empire-building. From Pushkin's ambivalent portrayal of an alpine Circassia to Tolstoy's condemnation of tsarist aggression against Muslim tribes in Hadji Murat, the literary analysis is firmly set in its historical context, and the responses of the Russian readership too receive extensive attention. As well as exploring literature as such, this study introduces material from travelogues, oriental studies, ethnography, memoirs, and the utterances of tsarist officials and military commanders. While showing how literature often underwrote imperialism, the book carefully explores the tensions between the Russian state's ideology of a European mission to civilise the Muslim mountaineers, and romantic perceptions of those tribes as noble primitives whose extermination was no cause for celebration. By dealing with imperialism in Georgia as well, the study shows how the varied treatment of the Caucasus in literature helped Russians construct a satisfying identity for themselves as a semi-European, semi-Asian people.
Intermediate Russian : a grammar and workbook by
Intermediate Russian provides a reference grammar and related exercises in one volume. Varied texts from Russian sources give an insight into contemporary Russian society and culture. Features include: * texts and exercises reflecting contemporary Russian * concise grammar explanations * full exercise key * detailed index. Intermediate Russian, and its sister volume, Basic Russian, are ideal both for independent study and use in class. Together the books provide a compendium of the essentials of Russian grammar.
Routledge Companion to Russian Literature by
The Routledge Companion to Russian Literature is an engaging and accessible guide to Russian writing of the past thousand years. The volume covers the entire span of Russian literature, from the Middle Ages to the post-Soviet period, and explores all the forms that have made it so famous: poetry, drama and, of course, the Russian novel. A particular emphasis is given to the nineteenth and twentieth centuries, when Russian literature achieved world-wide recognition through the works of writers such as Pushkin, Dostoevsky, Tolstoy, Chekhov, Nabokov and Solzhenitsyn. Covering a range of subjects including women's writing, Russian literary theory, socialist realism and émigré writing, leading international scholars open up the wonderful diversity of Russian literature. With recommended lists of further reading and an excellent up-to-date general bibliography, The Routledge Companion to Russian Literature is the perfect guide for students and general readers alike.
The Russian Cinema Reader : Volume I, 1908 to the Stalin Era by
This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses. Volume one films: Sten ka Razin, The Cameraman s Revenge, The Merchant Bashkirov s Daughter, Child of the Big City, The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, Battleship Potemkin, Bed and Sofa, Man with a Movie Camera, Earth, Chapaev, Circus, Ivan the Terrible, Parts I and II. Volume two films: The Cranes are Flying, Ballad of a Soldier, Lenin s Guard, Wings, Commissar, The Diamond Arm, White Sun of the Desert, Solaris, Stalker, Moscow Does Not Believe in Tears, Repentance, Little Vera, Burnt by the Sun, Brother, Russian Ark, The Return, Night Watch, The Tuner, Ninth Company, How I Ended This Summer. Authors: Birgit Beumers, Robert Bird, David Bordwell, Mikhail Brashinsky, Oksana Bulgakova, Gregory Carlson, Nancy Condee, Julian Graffy, Jeremy Hicks, Andrew Horton, Steven Hutchings, Vida Johnson, Lilya Kaganovsky, Vance Kepley, Jr., Susan Larsen, Mark Lipovetsky, Tatiana Mikhailova, Elena Monastireva-Ansdell, Joan Neuberger, Vlada Petric, Graham Petrie, Alexander Prokhorov, Elena Prokhorova, Rimgaila Salys, Elena Stishova, Vlad Strukov, Yuri Tsivian, Meghan Vicks, Josephine Woll, Denise J. Youngblood"
The Russian Cinema Reader : Volume II, the Thaw to the Present by
This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses. Volume one films: Sten'ka Razin, The Cameraman's Revenge, The Merchant Bashkirov's Daughter, Child of the Big City, The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, Battleship Potemkin, Bed and Sofa, Man with a Movie Camera, Earth, Chapaev, Circus, Ivan the Terrible, Parts I and II.Volume two films: The Cranes are Flying, Ballad of a Soldier, Lenin's Guard, Wings, Commissar, The Diamond Arm, White Sun of the Desert, Solaris, Stalker, Moscow Does Not Believe in Tears, Repentance, Little Vera, Burnt by the Sun, Brother, Russian Ark, The Return, Night Watch, The Tuner, Ninth Company, How I Ended This Summer.Contributors: Birgit Beumers, Robert Bird, David Bordwell, Mikhail Brashinsky, Oksana Bulgakova, Gregory Carlson, Nancy Condee, Julian Graffy, Jeremy Hicks, Andrew Horton, Steven Hutchings, Vida Johnson, Lilya Kaganovsky, Vance Kepley, Jr., Susan Larsen, Mark Lipovetsky, Tatiana Mikhailova, Elena Monastireva-Ansdell, Joan Neuberger, Vlada Petrić, Graham Petrie, Alexander Prokhorov, Elena Prokhorova, Rimgaila Salys, Elena Stishova, Vlad Strukov, Yuri Tsivian, Meghan Vicks, Josephine Woll, Denise J. Youngblood
Russian Literature since 1991 by
Russian Literature since 1991 is the first comprehensive, single-volume compendium of modern scholarship on post-Soviet Russian literature. The volume encompasses broad, complex and diverse sources of literary material - from ideological and historical novels to experimental prose and poetry, from nonfiction to drama. Written by an international team of leading experts on contemporary Russian literature and culture, it presents a broad panorama of genres in post-Soviet literature such as postmodernism, magical historicism, hyper-naturalism (in drama), and the new lyricism. At the same time, it offers close readings of the most prominent works published in Russia since the end of the Soviet regime and elimination of censorship. The collection highlights the interdisciplinary context of twenty-first-century Russian literature and can be widely used both for research and teaching by specialists in and beyond Russian studies, including those in post-Cold War and post-communist world history, literary theory, comparative literature and cultural studies.
The Russian Language Today by
The Russian Language Todayprovides the most up-to-date analysis of the Russian language. The Russian language has changed dramatically in recent years, becoming inundated by new words, mainly from American English. The authors focus on the resulting radical changes in Russian vocabulary and grammar. Supported throughout by extracts from contemporary press and literary sources, this is a comprehensive overview of present-day Russian and an essential text for all students of the Russian language.
The Cambridge Introduction to Russian Poetry by
The Cambridge Introduction to Russian Poetry presents the major themes, forms, genres and styles of Russian poetry. Using examples from Russia's greatest poets, Michael Wachtel draws on three centuries of verse, from the beginnings of secular literature in the eighteenth century up to the present day. The first half of the book is devoted to concepts such as versification, poetic language and tradition; the second half is organised along genre lines and examines the ode, the elegy, ballads, love poetry, nature poetry and patriotic verse. All poetry appears in the original followed by literal translations. This book is designed to give readers with even a minimal knowledge of the Russian language an appreciation of the brilliance of Russian poetry.
A Comprehensive Russian Grammar by
The third edition of Terence Wade's A Comprehensive Russian Grammar, newly updated and revised, offers the definitive guide to current Russian usage. Provides the most complete, accurate and authoritative English language reference grammar of Russian available on the market Includes up-to-date material from a wide range of literary and non-literary sources, including Russian government websites Features a comprehensive approach to grammar exposition Retains the accessible yet comprehensive coverage of the previous edition while adding updated examples and illustrations, as well as insights into several new developments in Russian language usage since the collapse of the Soviet Union in 1991
Russian Grammar Workbook by
The second edition of A Russian Grammar Workbook provides a rigorous and hands-on approach to Russian grammar for students who are intent on mastering the nuance and complexities of this language. Revised and updated version of the popular and comprehensive workbook offering detailed coverage of all aspects of Russian grammar New edition reflects changes in Russian lexis and grammar over the past few years Features over 230 sets of structured exercises Packed with activities ranging from substitution drills and multiple choice questions, to grammatical quizzes and translation exercises May be used independently or in conjunction with Wade's A Comprehensive Russian Grammar, 3rd edition; a transparent structure links directly to the Grammar for ease of reference between the two volumes
Modern rysk grammatik : Grammatika sovremennogo russkogo jazyka by 
Jacob's Ladder by 
Border Crossing by 
A "Labyrinth of Linkages" in Tolstoy's Anna Karenina by 
Freedom from Violence and Lies by 
Jaan Kross and Russian Culture by 
Epic and the Russian Novel from Gogol to Pasternak by 
Close Encounters by 
Poetry and Psychiatry by 
Exemplary Bodies by 
The Invention of Mikhail Lomonosov by 
Language and Culture in Eighteenth-Century Russia by 
Russian Literature by 
Russian History by 
Linguistics by 
The Russian Revolution by 
